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"The Gentle Pen" -Traditional or Self-Publication?

  • plowmanpublishing
  • May 18, 2025
  • 3 min read

Updated: May 23, 2025

Traditional Publishing: The Classic Castle




What it is: You sign a book deal with a publisher. They handle editing, design, distribution, and (sometimes) marketing. You get an advance and royalties.

Pros:

  • Professional credibility: “Oh, you’re published by Penguin Random House?” Instantly impressive at dinner parties.

  • Team support: Editors, designers, and publicists are (ideally) part of your entourage.

  • Bookstore access: More likely to see your book on shelves at Indigo or Barnes & Noble.

  • Advance payment: If you’re lucky, they pay you before you sell a single book.

Cons:

  • The waiting game: Querying can take months—years even. And after signing? Another 12–24 months before your book sees daylight.

  • Loss of control: Say goodbye to choosing your cover, your font, or possibly your title (“No, we think your literary memoir should be called Duck Parade.”).

  • Smaller royalty percentage: You might get 5–15% of the sale price.

Best for:

  • Authors who want validation from the traditional gatekeepers.

  • Those writing literary fiction, memoirs, or non-fiction with broad market appeal.

  • Authors willing to wait and relinquish some control in exchange for established industry support.

Self-Publishing: The Indie Rocket Ship

What it is:You publish the book yourself—uploading to Amazon KDP, IngramSpark, Kobo, and more. You control everything. And we do mean everything.

Pros:

  • Speed: Finish your book on Monday. Publish it on Friday. (Sleep optional.)

  • Creative control: Want a hot pink cover with a goat in sunglasses? Go for it.

  • Higher royalties: Up to 70% of sales on most platforms.

  • Agile marketing: You can tweak your book description, price, or ads any time.

Cons:

  • You're the boss (and the employee): You’re the writer, editor, marketer, art director, accountant, and janitor.

  • Upfront costs: Cover design, professional editing, formatting, and marketing cost money. Yes, real money.

  • Bookstore access is tricky: Though easier in 2025 than it was in the past, many brick-and-mortar shops still favor traditionally published titles.

Best for:

  • Writers who enjoy (or can hire help for) the business side of books.

  • Niche market authors, genre fiction, children’s authors, and memoir writers.

  • Anyone tired of waiting and ready to just do the thing already.

What’s Changed in 2025?

Self-publishing is no longer the “consolation prize.” It’s a powerhouse of possibility. Thanks to tools like AI-enhanced editing software, global print-on-demand, and marketing platforms that practically beg to take your money, self-publishing has leveled the playing field. Some indie authors are outselling big names—and creating entire brands in the process.

But traditional publishing is still strong. It offers prestige, access to reviewers, and deep industry networks—especially helpful for first-time authors trying to crack into certain genres or get international rights sold.

So… Which Path Should You Take?

Ask yourself:

  • Do you want creative freedom or professional guidance?

  • Are you patient—or twitchy with anticipation?

  • Would you rather keep control of your royalties or outsource the heavy lifting?

  • Do you enjoy learning new tech tools—or does the idea of formatting a book make you want to hide under a blanket?

The best route? The one that fits your goals, your personality, and your story.

Final Thought:

There is no one right way. You’re not less of a writer if you self-publish. And you’re not a sell-out if you go traditional. In 2025, authors are entrepreneurs—whichever path you choose.

Just remember: whether you ride the rocket or storm the castle, the most important part is this…

You finished the book.Now go share it with the world—one chapter, one choice, one cup of coffee at a time.

Choose Gently!

Liv

 
 
 

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